My work explores how time is experienced, constructed, and encountered through material processes and spatial perception. Across film, installation, and animation, I investigate how moving images can function not only as representations but as environments that viewers physically and temporally inhabit.
A recurring concern throughout my practice is how people situate themselves in relation to place, memory, and history when these are unstable or incomplete. Many projects begin with traces — archival fragments, landscapes, domestic spaces, or material residues — and develop through processes of reconstruction. Animation allows me to build images gradually through accumulation, erasure, and transformation, making temporal change visible as a physical process.
Over time, my work has expanded from single-channel films toward spatial installations that distribute images, sound, and objects across environments. These works often include individually experienced soundtracks that unfold through duration as viewers move through space. The moving image becomes something navigable rather than fixed.
Across different media and formats, my projects form interconnected constellations that examine:
how time becomes perceptible through material change (Time as Material)
how memory attaches to place (Memory, Trace, Place)
how connection is constructed through relation rather than permanence (Animation as Reconstruction)
how moving images can be experienced as spatial and temporal environments (Expanded Film Environments)
Rather than producing discrete works, I develop bodies of work that return to these questions from different perspectives, scales, and material conditions.
Dec 20, 2025, Podcast interview: The Animator’s Friend
June 18, 2025 - Podcast interview: the Experimental Film Podcast with Ken Hess
June 13, 2025, Animated Documentary Blog podcast with Carla MacKinnon
May 26, 2025, Journeys into Genealogy podcast with Emma Cox (features HOW NOW, HOUSE?)
May 2025, ‘Binocular Briefs’ by Chris Robinson, Animation World Network (features HOW NOW, HOUSE?)
Sep 2024, ‘De-Reconstructing Memory and Documenting Times: Notes on the Margins of Animafest Zagreb 2024 Programs’ by Mikhail Gurevich, Zippy Frames (features 1976: SEARCH FOR LIFE)
April 2025, Stopmotion Magazine article (features STILL LIFE WITH WOMAN, TEA AND LETTER)
April 2025, Boing Boing article (features STILL LIFE WITH WOMAN, TEA AND LETTER)
Oct 2023, Zippy Frames review (STILL LIFE WITH WOMAN, TEA AND LETTER)
Oct 2023, Short Films Matter review (STILL LIFE WITH WOMAN, TEA AND LETTER)
Sep 2022, Cinemagazine review (Dutch language - STILL LIFE WITH WOMAN, TEA AND LETTER)
Jan 2020, interview and review on Zippy Frames (ORBIT)